Harry Potter and the Chamber of Secrets (USA - UK - Germany, 2002)

Animation from The Emperor’s New Groove by Tony Bancroft

(via katsallday)

it8bit:

Happy 125th birthday Nintendo! 

Nintendo is a Japanese multinational consumer electronics company headquartered in Kyoto, Japan. Founded on September 23, 1889 by Fusajiro Yamauchi, it originally produced handmade hanafuda playing cards. By 1963, the company had tried several small niche businesses, such as cab services and love hotels.

Abandoning previous ventures in favor of toys in the 1960s, Nintendo then developed into a video game company in the 1970s, ultimately becoming one of the most influential in the industry and Japan’s third most valuable listed company with a market value of over US$85 billion.

The name Nintendo can be roughly translated to English as “leave luck to heaven.” As of March 31, 2014, Nintendo reports lifetime sales of over 670.43 million hardware units and 4.23 billion software units. [Wiki]

(via:taumpytears)

Annual events

gameraboy:

Peter returns to the nursery… Hook (1991)

gameraboy:

"You would prefer another target, a military target? Then name the system!"

screenshottery:

The Night of the Hunter (1955, Charles Laughton, dir.)

(via cinemastatic)

cinephiliabeyond:

Jan Harlan, Stanley Kubrick’s former producer and brother-in-law, discusses The Shining and the work of Stanley Kubrick at Film4 FrightFest 2014.

He reminded us how the film was made before special effects and when he took the second unit to film the hotel on location in Oregon (Kubrick hated flying and wouldn’t go there for filming or for casting) they had to get up in the middle of the night to film the exteriors in order to get the virgin snow. These scenes were all shot well before filming began in England on the rest of the film. The famous corridor of blood scene is still shocking and even more so when 40ft high and Jan Harlan told us it was a “very big mess.” He told us time and again how Kubrick wanted to make his own film and that is why he deviated so much from the book; pointing out that Stephen King knew he was signing the rights away for Stanley to change the film how he wanted to. “Kubrick wanted to make his own film; he didn’t want to explain anything. It’s a ghost film, why does Jack go for an interview for a job he already always had? Kubrick felt it was a positive film, it means something happens to you after you die. It is deliberately ambiguous.”

Jan also pointed out how The Shining was Kubrick’s only horror, his only film where he didn’t focus on social problems. Although I would argue that all horror stems from social problems — the daily horrors of living and being, the extraordinary intruding on the ordinary. Lots of people over the years have complained about Jack Nicholson’s OTT performance in the film; how he seems “crazy” from the beginning thereby lessening the build up to his losing his mind for the audience. Stephen King apparently hated it but as Jan Harlan tells us Kubrick loved it and wanted it like that. Shelley Duvall also got panned for her performance as people felt she was simpering and weak; we have all heard stories of how she went through hell filming the piece but Jan Harlan says there was only one time when Kubrick really went ballistic at her and it was because they had spent hours and hours setting up special effects with fake fog and she wasn’t ready to film and so he threw a total wobbler. Years later Duvall did admit that filming The Shining was an amazing experience but not one she wanted to repeat. Her performance is actually a lot better than I recalled it being. The look on her face when she finds Jack’s writing, in a scene which stretches on and on, we see it dawn on her that he has gone mad, when she knows what we know and she and Danny are in danger is perfect and the famous axe through the bathroom door scene; you can see the moment in her eyes when she is genuinely terrified and it in turn is terrifying for us.

Harlan gave an example of how Kubrick would do whatever he felt was needed to get good performances and make the right film: “With Full Metal Jacket the actors were all too old, they should have been 19 but we couldn’t find the right amount of good actors so they all ended up being 26, way too old for marines, but he needed the right cast so he did what he needed to.” Understandably Harlan gets asked about all the conspiracy theories and hidden messages in the film: “It’s complete fantasy, Kubrick wouldn’t make a film like this to tell that story (the holocaust), he was a very serious guy.” But he is happy to entertain other stories and theories and often good humouredly answers with “No idea, but it’s a good story.” Ultimately his stance is “If you make a film with Kubrick you leave him alone or you don’t make a film with Kubrick.” Jan leaves us with some interesting news that a script has been written of a prequel to The Shining which tells the story of the Overlook Hotel. He has read it and thinks “it is a fabulous script.” Personally that makes me very excited indeed. Because The Shining is a great film; endlessly parodied with good reason because of so many iconic scenes and images. Beautifully shot with a great score; whether subtext junkies (see Room 237 for more on that), horror fans or your average film goer/late night TV watcher, there is something for everyone here. A rightful classic it keeps on giving, if you haven’t seen it in a while you should watch it again soon. —The Shining at FrightFest

For more film related items throughout the day, follow Cinephilia & Beyond on Twitter. Get Cinephilia & Beyond in your inbox by signing in. You can also follow our RSS feed. Please use our Google Custom Search for better results. If you enjoy Cinephilia & Beyond, please consider making a small donation to keep it going:

420-666:

CONSTANTLY WORRIED I AM NOT MAKING ENOUGH THINGS TO VALIDATE MY EXISTENCE 

(via onlyleigh)

I want to see Francis Underwood in art class.

(via cinemastatic)

Q

smashbrotherhood asked:

A little tweety bird told me it's your birthday. Happy birthday!

A

Aw, thanks so much!